L’authentique procès de Carl Emmanuel Jung
A rigorous and mathematical film, L’Authentique Procès, in the black and white shadows of the filmstrip, rejects all spectacular effects.
Hanoun evokes however, through an austere deconstruction of film language, the Nazi horror with uncommon power. Imagination and words replace pictorial references. The death camps take form in our memory, reactivated, while the torturer – outlined with an entomologist’s precision – leaves behind the context of Hitler in order to reveal the monster hidden in each of us.